
RF 24-105mm f/4 L IS USM
Full-frame RF zoom covering wide to short telephoto with constant f/4 aperture and 5-stop image stabilization. The standard "kit" zoom for Canon mirrorless.
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Full-frame RF zoom covering wide to short telephoto with constant f/4 aperture and 5-stop image stabilization. The standard "kit" zoom for Canon mirrorless.

Pro-series constant f/2.8 telephoto for Micro Four Thirds, delivering an 80-300mm full-frame-equivalent reach in a compact body. Weather-sealed with fast AF for events and stage. Native MFT mount.

MFT standard zoom with constant f/2.8, weather sealing, and 24-80mm equivalent focal range. The default zoom for Blackmagic MFT cameras.

MFT standard zoom with constant f/2.8 and Power O.I.S. image stabilization. 24-70mm equivalent focal range.

Unique constant f/1.7 ultra-wide-to-standard zoom for Micro Four Thirds, effectively replacing a bag of fast primes. The bright aperture delivers shallow depth and low-light capability rare in a zoom. Native MFT mount.

Constant f/1.7 standard zoom designed to pair with the 10-25mm as a two-lens fast-zoom system for MFT. Matched optical character and handling across both lenses. Native MFT mount.

Compact ultra-wide rectilinear zoom for MFT, covering a 14-28mm full-frame-equivalent field for tight spaces and establishing shots. Lightweight and gimbal-friendly. Native MFT mount.

Panasonic's premium standard zoom built to Leica optical standards, delivering reference sharpness across the workhorse range. Rugged, weather-sealed body aimed at professional production. Native L-mount, full-frame.

Premium constant-f/2.8 telephoto with dual O.I.S. stabilization for handheld and long-lens live coverage. Leica-grade optics with fast, quiet AF for hybrid photo/video crews. Native L-mount, full-frame.

Native E mount for Sony cameras.

APS-C zoom with a constant f/1.8 aperture across the 18-35mm range. The single most-recommended church zoom — sharp, fast, and surprisingly cinematic.

Ultra-wide constant f/2.8 zoom from Sigma's Art line, suited to tight rooms, architectural establishing shots, and wide stage coverage. Rectilinear design controls distortion across the range. Native L-mount, full-frame coverage.

Sigma's compact constant-aperture standard zoom and the most affordable f/2.8 full-frame option in the L-mount lineup. Light enough for gimbal and run-and-gun event work while covering the most-used focal range. Native L-mount, no adapter required.

Sigma's pro-grade telephoto zoom with constant f/2.8 and optical stabilization, built for stage, sports, and distant-subject coverage. Internal zoom keeps balance consistent on gimbals and tripods. Native L-mount with weather sealing.

Sony's versatile mid-range workhorse covering wide to short-telephoto at a constant f/4 with Optical SteadyShot. The go-to single-lens option for run-and-gun event coverage where range matters more than maximum aperture. Native E-mount, full-frame.

Full-frame E-mount standard zoom with constant f/2.8 and VXD linear motor focus. Second-generation refinement of Tamron's well-regarded affordable workhorse.