32 products matching

Third-generation pro EF telephoto zoom with constant f/2.8 and 3.5-stop IS. The mainstream telephoto for any EF mount workflow.

Full-frame RF zoom covering wide to short telephoto with constant f/4 aperture and 5-stop image stabilization. The standard "kit" zoom for Canon mirrorless.

Pro full-frame RF zoom with constant f/2.8 aperture and image stabilization. The flagship Canon mirrorless workhorse.

Pro telephoto zoom with constant f/2.8 and 5-stop IS. Notably compact for a 70-200 thanks to RF mount design.

Cooke's renowned Super35 cinema prime, delivering the warm, flattering "Cooke Look" prized for narrative and high-end live production. Manual focus and iris with /i Technology metadata over the PL contacts. Pairs across the S4/i set for a matched look.

Cooke's renowned Super35 cinema prime, delivering the warm, flattering "Cooke Look" prized for narrative and high-end live production. Manual focus and iris with /i Technology metadata over the PL contacts. Pairs across the S4/i set for a matched look.

Cooke's renowned Super35 cinema prime, delivering the warm, flattering "Cooke Look" prized for narrative and high-end live production. Manual focus and iris with /i Technology metadata over the PL contacts. Pairs across the S4/i set for a matched look.

Cinema PL prime with T2 calibrated aperture, /i Technology lens metadata, and the signature "Cooke look" — warm tonality and natural skin rendering.

Budget-friendly full-frame cinema prime offering a proper cine housing and image quality well above its price point. Manual focus and iris with uniform gear positions for fast lens swaps. PL mount, full-frame coverage.

Pro-series constant f/2.8 telephoto for Micro Four Thirds, delivering an 80-300mm full-frame-equivalent reach in a compact body. Weather-sealed with fast AF for events and stage. Native MFT mount.

MFT standard zoom with constant f/2.8, weather sealing, and 24-80mm equivalent focal range. The default zoom for Blackmagic MFT cameras.

MFT standard zoom with constant f/2.8 and Power O.I.S. image stabilization. 24-70mm equivalent focal range.

Unique constant f/1.7 ultra-wide-to-standard zoom for Micro Four Thirds, effectively replacing a bag of fast primes. The bright aperture delivers shallow depth and low-light capability rare in a zoom. Native MFT mount.

Constant f/1.7 standard zoom designed to pair with the 10-25mm as a two-lens fast-zoom system for MFT. Matched optical character and handling across both lenses. Native MFT mount.

Compact ultra-wide rectilinear zoom for MFT, covering a 14-28mm full-frame-equivalent field for tight spaces and establishing shots. Lightweight and gimbal-friendly. Native MFT mount.

Panasonic's premium standard zoom built to Leica optical standards, delivering reference sharpness across the workhorse range. Rugged, weather-sealed body aimed at professional production. Native L-mount, full-frame.

Premium constant-f/2.8 telephoto with dual O.I.S. stabilization for handheld and long-lens live coverage. Leica-grade optics with fast, quiet AF for hybrid photo/video crews. Native L-mount, full-frame.

Native E mount for Sony cameras.

Cine-housed version of the 18-35 with T2 calibrated aperture, manual focus rings with hard stops, and 0.8 mod gears for follow focus.

APS-C zoom with a constant f/1.8 aperture across the 18-35mm range. The single most-recommended church zoom — sharp, fast, and surprisingly cinematic.

Native L-Mount full-frame zoom with constant f/2.8. Designed for mirrorless image circles — lighter than the EF version with equivalent optical performance.

Full-frame standard zoom with constant f/2.8, optical image stabilization, and Hyper Sonic Motor focus. The "do-everything" full-frame zoom.

Full-frame fast prime with f/1.4 aperture. Common close-up lens for pulpit/lectern shots in low-light sanctuaries.

Ultra-wide constant f/2.8 zoom from Sigma's Art line, suited to tight rooms, architectural establishing shots, and wide stage coverage. Rectilinear design controls distortion across the range. Native L-mount, full-frame coverage.

Sigma's compact constant-aperture standard zoom and the most affordable f/2.8 full-frame option in the L-mount lineup. Light enough for gimbal and run-and-gun event work while covering the most-used focal range. Native L-mount, no adapter required.

Sigma's pro-grade telephoto zoom with constant f/2.8 and optical stabilization, built for stage, sports, and distant-subject coverage. Internal zoom keeps balance consistent on gimbals and tripods. Native L-mount with weather sealing.

Second-generation flagship E-mount standard zoom. Constant f/2.8, 22% lighter than the original GM, two XD linear motors for fast autofocus.

Second-generation flagship E-mount telephoto. 29% lighter than the original GM, four XD linear motors, full-time direct manual focus.

Long-reach G Master telephoto zoom with stabilization for sports, wildlife, and distant stage subjects. Compatible with Sony teleconverters for added reach. Native E-mount, full-frame.

Second-generation G Master ultra-wide zoom and the wide anchor of Sony's f/2.8 trinity. Lighter than its predecessor, with fast linear AF motors suited to gimbal and event use. Native E-mount, full-frame.

Sony's versatile mid-range workhorse covering wide to short-telephoto at a constant f/4 with Optical SteadyShot. The go-to single-lens option for run-and-gun event coverage where range matters more than maximum aperture. Native E-mount, full-frame.

Full-frame E-mount standard zoom with constant f/2.8 and VXD linear motor focus. Second-generation refinement of Tamron's well-regarded affordable workhorse.