59 products matching

Handheld 4K cinema camera with Micro Four Thirds mount, dual native ISO, and Blackmagic RAW recording.

Compact super35 cinema camera with 6K Blackmagic RAW recording. Common as a roaming or tripod camera in church multi-cam setups.

Compact 4K studio camera with 7" viewfinder, MFT mount, and HDMI-based ATEM integration. Tally, control, and record trigger all flow over the HDMI cable.

4K AI-tracking PTZ camera. Auto-tracks subjects, gestures, and scenes. HDMI, USB-C, and NDI|HX streaming. 12x hybrid zoom.

HD PTZ camera with HDMI, USB, and IP streaming over PoE. 20x optical zoom. The cost-effective entry to the Move family.

4K PTZ camera with 24x zoom, HDMI/IP output, and PoE+ powering. Affordable 4K alternative for multi-camera deployments.

A Mac mini, MacBook Pro, Mac Studio, or equivalent Windows PC running production software — Fairlight Live, ATEM Software Control, OBS Studio, or DaVinci Resolve. Modern Apple Silicon Macs (M2 Pro or newer) handle broadcast workloads comfortably; Windows builds equivalent should have a discrete GPU and 32GB+ RAM for multi-channel audio + multi-cam ISO recording at the same time.

Control up to eight URSA Mini Pro, URSA Broadcast, or Blackmagic Studio cameras with the ATEM Micro Camera Panel from Blackmagic Design. This compact cousin of the ATEM Camera Control panel features eight assignable NKK camera select buttons, red/green on/off air button illumination, a 3-axis joystick, and multiple controls for iris control, preview, gain, filters, shutter, white balance, and more. The panel operates on a built-in battery and charges via USB-C. It connects to a computer to use ATEM Software Control via USB-C and can also connect wirelessly via Bluetooth for a fully mobile experience.

Loudspeaker management processor with AutoEQ wizard, AFS feedback suppression, sub harmonic synthesis, crossovers, limiters, and Bluetooth-controlled tuning.

4K hardware streaming encoder with 12G-SDI and HDMI inputs. Direct streaming to YouTube, Facebook, X, and custom RTMP/SRT servers.

Full-frame RF zoom covering wide to short telephoto with constant f/4 aperture and 5-stop image stabilization. The standard "kit" zoom for Canon mirrorless.

Pro-series constant f/2.8 telephoto for Micro Four Thirds, delivering an 80-300mm full-frame-equivalent reach in a compact body. Weather-sealed with fast AF for events and stage. Native MFT mount.

MFT standard zoom with constant f/2.8, weather sealing, and 24-80mm equivalent focal range. The default zoom for Blackmagic MFT cameras.

MFT standard zoom with constant f/2.8 and Power O.I.S. image stabilization. 24-70mm equivalent focal range.

Unique constant f/1.7 ultra-wide-to-standard zoom for Micro Four Thirds, effectively replacing a bag of fast primes. The bright aperture delivers shallow depth and low-light capability rare in a zoom. Native MFT mount.

Constant f/1.7 standard zoom designed to pair with the 10-25mm as a two-lens fast-zoom system for MFT. Matched optical character and handling across both lenses. Native MFT mount.

Compact ultra-wide rectilinear zoom for MFT, covering a 14-28mm full-frame-equivalent field for tight spaces and establishing shots. Lightweight and gimbal-friendly. Native MFT mount.

Panasonic's premium standard zoom built to Leica optical standards, delivering reference sharpness across the workhorse range. Rugged, weather-sealed body aimed at professional production. Native L-mount, full-frame.

Premium constant-f/2.8 telephoto with dual O.I.S. stabilization for handheld and long-lens live coverage. Leica-grade optics with fast, quiet AF for hybrid photo/video crews. Native L-mount, full-frame.

Native E mount for Sony cameras.

APS-C zoom with a constant f/1.8 aperture across the 18-35mm range. The single most-recommended church zoom — sharp, fast, and surprisingly cinematic.

Ultra-wide constant f/2.8 zoom from Sigma's Art line, suited to tight rooms, architectural establishing shots, and wide stage coverage. Rectilinear design controls distortion across the range. Native L-mount, full-frame coverage.

Sigma's compact constant-aperture standard zoom and the most affordable f/2.8 full-frame option in the L-mount lineup. Light enough for gimbal and run-and-gun event work while covering the most-used focal range. Native L-mount, no adapter required.

Sigma's pro-grade telephoto zoom with constant f/2.8 and optical stabilization, built for stage, sports, and distant-subject coverage. Internal zoom keeps balance consistent on gimbals and tripods. Native L-mount with weather sealing.

Sony's versatile mid-range workhorse covering wide to short-telephoto at a constant f/4 with Optical SteadyShot. The go-to single-lens option for run-and-gun event coverage where range matters more than maximum aperture. Native E-mount, full-frame.

Full-frame E-mount standard zoom with constant f/2.8 and VXD linear motor focus. Second-generation refinement of Tamron's well-regarded affordable workhorse.

Smart mount adapter for using Canon EF lenses on Sony E-mount bodies. Active electronic communication for AF, IS, and aperture control.

Smart mount adapter for using Canon EF and Sigma EF lenses on L-Mount cameras. Full electronic communication for autofocus, EXIF, and OS.

15.9" line + gradient condenser shotgun. Long-throw pickup for boom over stage or fixed overhead deployment.

Large-diaphragm cardioid dynamic broadcast mic. Smooth midrange, broadcast-style proximity effect, no phantom required.

Large-diaphragm cardioid condenser with both XLR and USB-C outputs. Self-noise of 4 dBA — among the quietest condensers ever made.

Professional shotgun mic for video. Switchable low-cut filter, switchable -10dB pad, runs on phantom or AA battery.

Premium supercardioid vocal dynamic. Tighter pickup pattern than SM58 — better feedback rejection in monitor-heavy stage environments.

Premium supercardioid condenser vocal mic. Brighter, more detailed sound than dynamic mics — common for lead vocalists and pastors.

Broadcast-quality dynamic microphone, ideal for podcasts and voiceover.

16-input/8-output digital stage box with Midas-designed mic preamps. Connects to X32/M32 consoles over a single AES50 cable.

32-input/16-output digital stage box. Same Midas-designed preamps as S16 in a denser rack-mount package.

18-input/12-bus digital rackmount mixer controlled entirely from iPad/Android tablets via Wi-Fi. 16 mic preamps, USB audio interface.

1RU audio monitoring unit with built-in speakers, headphone amp, and meters. Accepts SDI, AES/EBU, and analog inputs.

5" 1500-nit HDR touchscreen monitor with full camera control. Connects to PYXIS via a single USB-C cable for video, power, and control.

Dual 8" HD broadcast monitor in 3RU rackmount. Ideal for showing program and preview side by side.

5" 1500-nit HDR touchscreen field monitor and 12G-SDI ProRes recorder. Doubles as a director monitor.

Any modern HDMI-compatible projector.

1RU professional broadcast deck recording HD video to SSDs and SD cards. Direct integration with ATEM switchers.

12" 2-way powered loudspeaker, 1200W Class D, 130 dB peak SPL, EV signature voicing.

15" 2-way powered loudspeaker, 1300W Class D peak, 134 dB peak SPL, Bluetooth control, onboard DSP.

18" powered subwoofer, 1500W Class D peak, app-controlled DSP, designed to pair with EON 700 tops.

15" powered floor monitor / FOH speaker. Multi-angle wedge cabinet, 1500W peak, onboard DSP.

High performance rack mount flash storage solution, features 8 TB capacity, RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally.

Cloud service that rebroadcasts a single RTMP stream to up to 30 platforms simultaneously. Plan pricing varies; $19/mo Basic is the typical church starting point.

Cross-platform live streaming software for Mac and Windows. Multi-camera switching, scoreboards, lower thirds, and direct streaming to major platforms.

Software live production switcher for Windows. 1000-channel mixer, 4 HD inputs, NDI, virtual sets, instant replay, and direct streaming to YouTube/Facebook.

ATEM Mini Pro with per-input ISO recording for post-production multicam edits.

4-input SDI switcher in the compact ATEM Mini form factor. Direct replacement for ATEM Mini in SDI-equipped facilities.

4-input SDI switcher with direct streaming and per-input ISO recording.

4-input HDMI switcher with built-in audio mixer, T-bar transitions, and USB output for streaming via OBS.

Stereo wireless IEM system with two bodypack receivers and IE 4 earphones. 1680 tunable frequencies, 42 MHz bandwidth, soft-limiter to protect hearing.

Stereo in-ear monitor system with SE112 earphones. 24-bit digital audio, MixMode (combine two channels into a personal mix), up to 16 simultaneous systems.

Digital wireless handheld system with SM58 capsule.