154 products available

2-channel power amplifier, 450W per channel at 4Ω. Class AB design, no onboard DSP — just amplification.

2-channel power amplifier with built-in DSP. 800W per channel at 4Ω, includes crossovers, EQ, limiting, and delay.

Compact 4K studio camera in a tiny cube form factor. 12G-SDI and HDMI with full ATEM tally, talkback, and remote control.

Full-frame 12K cinema camera with locking Canon EF mount.

Full-frame 12K RGBW-sensor cinema camera with L-Mount and 16 stops of dynamic range.

Full-frame 12K cinema camera with PL mount for professional cine lenses.

Full-frame 6K box-style cinema camera with locking Canon EF mount. Works with Canon photo and cine lenses.

Full-frame 6K box-style cinema camera with active L-Mount, 13 stops dynamic range, and built-in SRT/RTMP streaming.

Full-frame 6K box-style cinema camera with PL mount and /i Technology lens metadata.

Handheld 4K cinema camera with Micro Four Thirds mount, dual native ISO, and Blackmagic RAW recording.

Compact super35 cinema camera with 6K Blackmagic RAW recording. Common as a roaming or tripod camera in church multi-cam setups.

Compact 4K studio camera with 7" viewfinder, MFT mount, and HDMI-based ATEM integration. Tally, control, and record trigger all flow over the HDMI cable.

Pro 4K studio camera with 12G-SDI, 5-pin XLR talkback, 10G Ethernet IP link, and built-in HD live streaming.

6K studio camera with 12G-SDI output, EF lens mount, and full ATEM control integration including talkback and tally.

4K broadcast camera with B4 lens mount for traditional ENG and studio workflows. Ultra HD 50/60p over 12G-SDI, dual CFast/SD card slots, IP video streaming over Ethernet.

Large-format 12K cinema camera. Full-frame sensor, 16 stops dynamic range, interchangeable PL/LPL/EF mount, 8TB built-in storage. The accessible end of the URSA Cine line.

Extreme large-format 65mm cinema camera with 17,520 x 8,040 RGBW sensor, 16 stops dynamic range, interchangeable PL/LPL/EF/Hasselblad mount, built-in 8TB media module, and built-in RTMP/SRT live streaming.

Super35 12K cinema camera with 80MP sensor, 14 stops of dynamic range, RGBW color, and interchangeable PL/EF/F lens mount. The original 12K Mini Pro for feature film work.

Super35 12K cinema camera with high-performance optical low-pass filter for reduced moire and aliasing in virtual production environments. PL mount, 14 stops dynamic range, RGBW color.

Super35 4.6K cinema camera with 15 stops of dynamic range, broadcast-style external controls, and interchangeable EF/PL/B4/F lens mount. Records up to 300fps at 1080p.

4K AI-tracking PTZ camera. Auto-tracks subjects, gestures, and scenes. HDMI, USB-C, and NDI|HX streaming. 12x hybrid zoom.

4K AI-tracking USB webcam with gesture controls. Powered by USB-C. Drop-in webcam replacement for ATEM Mini USB output workflows.

4K PTZ camera with 12G-SDI, HDMI 2.0, NDI|HX3 streaming, USB 3.0, and 30x optical zoom. PoE+ powered.

HD PTZ camera with 3G-SDI, HDMI, USB, and IP streaming over PoE. 30x optical zoom. The cost-effective entry to the Move family.

Premium 4K PTZ with native NDI 5, 12G-SDI, HDMI 2.0, and Tally over NDI. 30x optical zoom, dual gigabit ethernet for redundancy.

4K PTZ camera with 24x zoom, HDMI/IP output, and PoE+ powering. Affordable 4K alternative for multi-camera deployments.

Premium 4K PTZ with 24x optical zoom, native NDI|HX, 12G-SDI/HDMI dual output, and tally over IP.

4K PTZ camera with 1.0-type sensor, 12x optical zoom, NDI|HX2 capable, HDMI/SDI/IP outputs. Pro-grade alternative to PTZOptics Move 4K.

Full-frame PTZ camera with E-mount, 4K 120p, dual XQD slots, and Cinema Line color science. The premium PTZ option for broadcast-grade live productions.

Full-frame compact cinema camera. 4K 120p, dual base ISO, S-Cinetone color science. Common as a roving or pedestal camera in higher-end church productions.

Hardware control panel for ATEM Television Studio HD8 and Constellation switchers. 10 source buttons, full M/E controls, T-bar, and joystick.

Dedicated CCU panel for shading and remote-controlling up to 4 ATEM-compatible cameras. Iris, focus, gain, white balance per camera.

Compact converter from HDMI to 3G-SDI for long cable runs.

12G-SDI to HDMI converter supporting 4K signals.

Compact converter from 3G-SDI to HDMI for monitor or switcher integration.

HDMI to SDI converter with 4K support and dual SDI outputs for distribution.

SDI to HDMI converter with 4K support, reclocking, and audio de-embedding. AC-powered for permanent installation.

12G-SDI to HDMI converter with 8K support, frame synchronization, and built-in front-panel display for monitoring.

HD up/down/cross converter with frame rate conversion. Resolves resolution and frame-rate mismatches between cameras and switchers.

Decoder that receives an ATEM Mini Pro stream over the internet and outputs HDMI/SDI on the receiving end. Used for remote site streaming.

Any modern HDMI-compatible display, TV, or monitor.

Single-channel passive direct box with Eclipse ET-DB2 transformer. Connects keyboards, acoustic guitars, and laptops to balanced mixer inputs.

Loudspeaker management processor with AutoEQ wizard, AFS feedback suppression, sub harmonic synthesis, crossovers, limiters, and Bluetooth-controlled tuning.

4K hardware streaming encoder with 12G-SDI and HDMI inputs. Direct streaming to YouTube, Facebook, X, and custom RTMP/SRT servers.

Hardware streaming encoder with SDI/HDMI inputs and direct streaming to YouTube/Facebook/X.

Compact HDMI hardware encoder with simultaneous streaming to two platforms (RTMP) plus USB recording. No computer required.

Hardware streaming encoder with bonded cellular for redundant connectivity. HEVC and H.264 to RTMP, RTMPS, SRT, MPEG-TS.

Third-generation pro EF telephoto zoom with constant f/2.8 and 3.5-stop IS. The mainstream telephoto for any EF mount workflow.

Full-frame RF zoom covering wide to short telephoto with constant f/4 aperture and 5-stop image stabilization. The standard "kit" zoom for Canon mirrorless.

Pro full-frame RF zoom with constant f/2.8 aperture and image stabilization. The flagship Canon mirrorless workhorse.

Pro telephoto zoom with constant f/2.8 and 5-stop IS. Notably compact for a 70-200 thanks to RF mount design.

Cinema PL prime with T2 calibrated aperture, /i Technology lens metadata, and the signature "Cooke look" — warm tonality and natural skin rendering.

MFT standard zoom with constant f/2.8, weather sealing, and 24-80mm equivalent focal range. The default zoom for Blackmagic MFT cameras.

MFT standard zoom with constant f/2.8 and Power O.I.S. image stabilization. 24-70mm equivalent focal range.

Native E mount for Sony cameras.

Cine-housed version of the 18-35 with T2 calibrated aperture, manual focus rings with hard stops, and 0.8 mod gears for follow focus.

APS-C zoom with a constant f/1.8 aperture across the 18-35mm range. The single most-recommended church zoom — sharp, fast, and surprisingly cinematic.

Native L-Mount full-frame zoom with constant f/2.8. Designed for mirrorless image circles — lighter than the EF version with equivalent optical performance.

Full-frame standard zoom with constant f/2.8, optical image stabilization, and Hyper Sonic Motor focus. The "do-everything" full-frame zoom.

Full-frame fast prime with f/1.4 aperture. Common close-up lens for pulpit/lectern shots in low-light sanctuaries.

Second-generation flagship E-mount standard zoom. Constant f/2.8, 22% lighter than the original GM, two XD linear motors for fast autofocus.

Second-generation flagship E-mount telephoto. 29% lighter than the original GM, four XD linear motors, full-time direct manual focus.

Full-frame E-mount standard zoom with constant f/2.8 and VXD linear motor focus. Second-generation refinement of Tamron's well-regarded affordable workhorse.

First-party Canon mount adapter for using EF/EF-S lenses on RF-mount bodies. Native Canon — no AF compromises.

Smart mount adapter for using Canon EF lenses on Sony E-mount bodies. Active electronic communication for AF, IS, and aperture control.

Smart mount adapter for using Canon EF and Sigma EF lenses on L-Mount cameras. Full electronic communication for autofocus, EXIF, and OS.

Tri-color LED wash fixture with Bluetooth control. Common entry-level church stage wash light.

Pro-grade LED ellipsoidal spotlight. RGB-L color mixing, 6,000 lumens, common for stage front-light and key positions.

Side-address cardioid condenser. The standard entry-level studio condenser for podcast/voiceover use.

15.9" line + gradient condenser shotgun. Long-throw pickup for boom over stage or fixed overhead deployment.

Professional shotgun mic for video. Switchable low-cut filter, switchable -10dB pad, runs on phantom or AA battery.

Premium supercardioid vocal dynamic. Tighter pickup pattern than SM58 — better feedback rejection in monitor-heavy stage environments.

Premium supercardioid condenser vocal mic. Brighter, more detailed sound than dynamic mics — common for lead vocalists and pastors.

The industry-standard vocal dynamic microphone.

Broadcast-quality dynamic microphone, ideal for podcasts and voiceover.

16-input/8-output Dante stage box, also compatible with SQ consoles via SLink. Recallable mic preamps, 96 kHz operation.

48-channel digital mixer with 16 mic/line inputs, motorized faders, 96kHz processing, and built-in 32x32 USB audio interface.

Larger SQ-series console with 24 mic preamps and 25 motorized faders. Same processing engine as SQ-5.

16-input/8-output digital stage box with Midas-designed mic preamps. Connects to X32/M32 consoles over a single AES50 cable.

32-input/16-output digital stage box. Same Midas-designed preamps as S16 in a denser rack-mount package.

32-channel, 25-bus digital mixer with motorized faders, 16 programmable mute groups, and 32-channel USB audio interface.

18-input/12-bus digital rackmount mixer controlled entirely from iPad/Android tablets via Wi-Fi. 16 mic preamps, USB audio interface.

Desktop control surface with 10 motorized faders and one 11.6" touchscreen, designed for live audio mixing with the free Fairlight Live software. Requires a separate Mac running Fairlight Live for actual audio processing.

Desktop control surface with 20 motorized faders and two 11.6" touchscreens for mid-sized live productions. Doubles the bank size of the Panel 10 — most live church mixes fit on 20 faders in a single view without banking.

Flagship desktop control surface with 40 motorized faders, four 11.6" touchscreens, and dual redundant power supplies. Built for the largest live broadcasts where banking faders is not an option.

40-input/25-bus digital mixer with Midas mic preamps, 32-channel USB audio, and AES50 networking. Pro-tier sibling to the Behringer X32.

10-input analog mixer with USB audio interface and onboard effects.

64-channel digital mixer with 32 mic preamps, 17 motorized faders, native Dante networking, and built-in Rupert Neve effects emulations.

40-channel digital mixer with 16 mic/line inputs, 17 motorized faders, large color touchscreen, and Dante-capable expansion.

1RU audio monitoring unit with built-in speakers, headphone amp, and meters. Accepts SDI, AES/EBU, and analog inputs.

5" 1500-nit HDR touchscreen monitor with full camera control. Connects to PYXIS via a single USB-C cable for video, power, and control.

15.6" 4K UHD broadcast monitor in 6RU rackmount form factor. Accepts 12G-SDI for 4K monitoring.

Dual 8" HD broadcast monitor in 3RU rackmount. Ideal for showing program and preview side by side.

5" 1500-nit HDR touchscreen field monitor and 12G-SDI ProRes recorder. Doubles as a director monitor.

Any modern HDMI-compatible projector.

Compact broadcast deck for HD recording. Half-rack form factor for desktop or rack-shelf installation.

1RU professional broadcast deck recording HD video to SSDs and SD cards. Direct integration with ATEM switchers.

Compact USB-C capture device for recording SDI/HDMI sources directly to a connected computer.

Powered loudspeaker with manually flexible line array. 1000W Class D, four selectable coverage patterns by adjusting the array shape.

Portable column PA system with 16-driver line array, 180° horizontal coverage, separate sub. Single-cable assembly.

12" 2-way powered loudspeaker, 1200W Class D, 130 dB peak SPL, EV signature voicing.

Portable column PA system with built-in 8-channel digital mixer, Bluetooth, optional battery pack. 1000W Class D.

15" 2-way powered loudspeaker, 1300W Class D peak, 134 dB peak SPL, Bluetooth control, onboard DSP.

18" powered subwoofer, 1500W Class D peak, app-controlled DSP, designed to pair with EON 700 tops.

15" powered floor monitor / FOH speaker. Multi-angle wedge cabinet, 1500W peak, onboard DSP.

12" 2-way powered loudspeaker, 2000W Class D, 132 dB peak SPL, DSP with onboard presets and tunings.

18" powered subwoofer, 3600W Class D peak, cardioid mode for stage-side bass cancellation.

12" 2-way powered loudspeaker in birch plywood cabinet, 1000W Class D. Premium-tier alternative to K.2 with warmer voicing.

15" 2-way powered loudspeaker, 2100W Class D, FiRPHASE FIR DSP, 132 dB peak SPL.

12" stage monitor with low-profile coaxial design, 1400W Class D, FIR DSP. Premium wedge for in-ear-resistant musicians.

18" powered subwoofer with 2500W Class D amp, cardioid mode, FiRPHASE DSP. Touring-grade low end.

12" 2-way powered loudspeaker, 2000W Class D, 96 kHz DSP processing, 139 dB peak SPL. Reference-grade voicing.

Free open-source software for live streaming and recording. Cross-platform (Windows, macOS, Linux). Direct streaming to YouTube, Facebook, Twitch, custom RTMP/SRT.

Software live production switcher for Windows. 1000-channel mixer, 4 HD inputs, NDI, virtual sets, instant replay, and direct streaming to YouTube/Facebook.

40-source 12G-SDI live production switcher. The high-end of Blackmagic switching for large broadcast facilities.

8-input HDMI switcher with built-in streaming engine, Thunderbolt for record/playback, ISO recording of all 8 inputs, USB webcam out, DVE, chroma key, and media player.

4-input HDMI switcher with direct H.264 streaming to YouTube/Facebook over ethernet.

ATEM Mini Pro with per-input ISO recording for post-production multicam edits.

4-input SDI switcher in the compact ATEM Mini form factor. Direct replacement for ATEM Mini in SDI-equipped facilities.

4-input SDI switcher with direct streaming and per-input ISO recording.

8-input SDI live production switcher with built-in streaming, talkback, and tally over a single SDI cable.

Television Studio HD8 with per-input ISO recording for post-production edits and sermon archives.

40-input video switcher with built-in HDMI/SDI/USB inputs, RTMP streaming, multiviewers, and dedicated transition controls.

4-input HDMI switcher with built-in audio mixer, T-bar transitions, and USB output for streaming via OBS.

8-input HDMI video switcher with crossfade T-bar, integrated audio mixing, and macro automation.

Stereo wireless IEM system with two bodypack receivers and IE 4 earphones. 1680 tunable frequencies, 42 MHz bandwidth, soft-limiter to protect hearing.

Pro digital wireless system with handheld 835 capsule (cardioid dynamic), Bluetooth control via Smart Assist app, and 88 MHz tuning bandwidth.

Affordable analog wireless handheld with SM58 capsule. The entry-level church wireless option.

Stereo in-ear monitor system with SE112 earphones. 24-bit digital audio, MixMode (combine two channels into a personal mix), up to 16 simultaneous systems.

Pro stereo IEM system with rack-mount diversity transmitter, CueMode for monitor engineers to scan musician mixes, and improved RF performance for crowded venues.

Pro digital wireless handheld with SM58 capsule. Networked audio over Dante (with QLXD4 receiver), AES-256 encryption.

Digital wireless handheld system with SM58 capsule.

Compact 4K PTZ with 30x zoom, native NDI|HX, dual ethernet, and 12G-SDI output. Often used as a discreet broadcast camera.

IP66/65 rated outdoor PTZ. Same imaging as AW-HE130 but in a weatherproof housing for outdoor stages, parking lot ministries, and athletic events.

Networked install DSP with 12 mic/line inputs, 8 line outputs, AVB networking, USB audio, and VoIP. Drag-and-drop Tesira programming.

Premium single-channel passive DI with Jensen JT-DB-EPC audio transformer. Audibly cleaner low end and lower noise floor than budget DIs.

Open-architecture install DSP with 12 inputs and 8 outputs. Drag-and-drop SymNet Composer software. Dante and AES67 expansion options.

Single-channel passive direct box. Long-running budget standard for connecting unbalanced instrument signals to balanced mixer inputs.

Pro hardware H.264 encoder. Simultaneous record-to-disk and stream-to-RTMP/SRT. SDI and HDMI inputs.

All-in-one streaming, recording, and switching appliance. Touch screen, SDI/HDMI inputs, multi-platform streaming.

Cellular-bonded streaming encoder with built-in HEVC, dual SIM, plus WiFi and ethernet. Streams 4K to YouTube/Facebook and to LiveU's cloud.

Free software lighting console — runs on Windows. Outputs DMX via USB DMX node or directly via Art-Net/sACN over ethernet.

Four-fixture par can package with hex-color (RGBAW+UV) LEDs and DMX control. Bundle saving for stage wash deployment.

Pro-grade RGBAL+L LED ellipsoidal with motorized framing shutters. Full broadcast-grade color rendering.

Supercardioid clip-on instrument condenser. Available with mounts for guitar, violin, brass, drums, piano. CORE preamp circuit for low distortion.

Large-diaphragm cardioid dynamic broadcast mic. Smooth midrange, broadcast-style proximity effect, no phantom required.

Large-diaphragm cardioid condenser with both XLR and USB-C outputs. Self-noise of 4 dBA — among the quietest condensers ever made.

Personal stereo monitor mixer with 64-channel A-Net input and stereo XLR output for IEM transmitter or headphones.

16-channel analog mixer with USB recording, GigFX onboard effects, and Bluetooth playback input.

32-channel digital mixer with integrated DMX lighting control. 24 mic preamps, 4 internal effects engines, motorized faders.

Cloud service that rebroadcasts a single RTMP stream to up to 30 platforms simultaneously. Plan pricing varies; $19/mo Basic is the typical church starting point.

Cross-platform live streaming software for Mac and Windows. Multi-camera switching, scoreboards, lower thirds, and direct streaming to major platforms.

6-channel HD/SDI streaming switcher with built-in encoder for direct streaming.

NDI-native compact production system. Software-defined switcher with virtual sets, instant replay, recording, and streaming all integrated.