PYXIS 12K EF
Full-frame 12K cinema camera with locking Canon EF mount.
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Full-frame 12K cinema camera with locking Canon EF mount.
Full-frame 12K RGBW-sensor cinema camera with L-Mount and 16 stops of dynamic range.
Full-frame 12K cinema camera with PL mount for professional cine lenses.
Large-format 12K cinema camera. Full-frame sensor, 16 stops dynamic range, interchangeable PL/LPL/EF mount, 8TB built-in storage. The accessible end of the URSA Cine line.
Extreme large-format 65mm cinema camera with 17,520 x 8,040 RGBW sensor, 16 stops dynamic range, interchangeable PL/LPL/EF/Hasselblad mount, built-in 8TB media module, and built-in RTMP/SRT live streaming.
Full-frame PTZ camera with E-mount, 4K 120p, dual XQD slots, and Cinema Line color science. The premium PTZ option for broadcast-grade live productions.
Cinema PL prime with T2 calibrated aperture, /i Technology lens metadata, and the signature "Cooke look" — warm tonality and natural skin rendering.
Cine-housed version of the 18-35 with T2 calibrated aperture, manual focus rings with hard stops, and 0.8 mod gears for follow focus.
Flagship desktop control surface with 40 motorized faders, four 11.6" touchscreens, and dual redundant power supplies. Built for the largest live broadcasts where banking faders is not an option.
64-channel digital mixer with 32 mic preamps, 17 motorized faders, native Dante networking, and built-in Rupert Neve effects emulations.
18" powered subwoofer with 2500W Class D amp, cardioid mode, FiRPHASE DSP. Touring-grade low end.
40-source 12G-SDI live production switcher. The high-end of Blackmagic switching for large broadcast facilities.